The Comtesse Daru is an 1810 painting by French Neoclassical artist Jacques-Louis David. This work is located in the Frick Collection in New York City.
The Comtesse Daru, born Alexandrine-Sophie de La Borde (1774-1850), was a notable French noblewoman known for her cultural and social influence during the late 18th and early 19th centuries. She was married to Pierre-Antoine Daru, a prominent French statesman, historian, and poet who served under Napoleon Bonaparte.
Alexandrine-Sophie came from an influential family, her father being Jean-Joseph de La Borde, a wealthy financier and art patron. Growing up in an environment that valued culture and the arts, she developed a keen appreciation for literature, music, and the fine arts. Her marriage to Pierre-Antoine Daru further solidified her position in the elite circles of French society.
As Comtesse Daru, Alexandrine-Sophie was known for her wit, intelligence, and charm, which made her a central figure in the social salons of Paris. These salons were gatherings of intellectuals, artists, and political figures, where ideas were exchanged, and cultural trends were set. She hosted many such events, contributing to the intellectual and cultural vibrancy of the time.
During the Napoleonic era, the Daru household was a hub of activity and influence. Pierre-Antoine Daru held several key administrative and military positions, and his wife played a supportive role, both in his public duties and in managing their social engagements. Her ability to navigate the complexities of the social and political landscape of the time was noteworthy.
After the fall of Napoleon and during the Bourbon Restoration, the Darus continued to maintain their influence and connections. The Comtesse Daru’s reputation as a cultivated and refined hostess persisted, and she remained a respected figure in French society until she died in 1850.