Lot and his Daughters is a 1624 religious painting by Dutch Mannerist artist Abraham Bloemaert. It is located in the National Gallery in London after being acquired by the institution from the Leiden Collection in 2024.
Analysis of Lot and his Daughters
This story is from Genesis 19 in the Bible. Lot, the nephew of the patriarch Abraham, lived in the city of Sodom with his family. When two angels visited Lot to warn him of the impending destruction of Sodom due to its wickedness, Lot offered them hospitality in his home.
As the night unfolded, the men of Sodom surrounded Lot’s house, demanding the newcomers be handed over to them. To protect the angels, Lot offered his daughters to the crowd, a controversial and morally complex decision. However, the angels intervened, striking the crowd with blindness and urging Lot to flee the city with his family before the impending destruction.
God’s judgment soon fell upon Sodom and Gomorrah, destroying the cities with fire and brimstone. Lot and his daughters were warned not to look back as they fled, but Lot’s wife disobeyed and was turned into a pillar of salt.
Seeking refuge in a cave, Lot and his daughters believed they were the only survivors. Fearing that their family line would end, Lot’s daughters hatched a plan. They got Lot drunk on successive nights and each slept with him, becoming pregnant. The elder daughter bore a son named Moab, and the younger daughter named her son Ben-Ammi. These sons later became the ancestors of the Moabites and Ammonites, two nations often mentioned in biblical history.
The story of Lot and his daughters is a complex narrative involving hospitality, moral dilemmas, divine judgment, and the consequences of extreme situations. It serves as a cautionary tale about the consequences of living in a society marked by moral degradation and highlights the challenges individuals face navigating difficult circumstances.